“Baci Sospesi, Il linguaggio nuovo”

“Abbiamo la fortuna e la gioia di trovare una scultura completamente nuova tra le stradine di Passoscuro.
Baci Sospesi, con una linea coraggiosa delimita esattamente la forma… non di un bacio, ma di tutti i baci.

E’ linea che, come la scrittura nella poesia, crea immagini nella mente con un linguaggio silenzioso.

La prima forma è un bacio grande, ampio, possibile per tutti.
La seconda forma si stringe, come si stringono gli amanti, poi la terza crea il suono, lo schiocco dirompente che si amplia in altri due piccoli cerchietti.

L’opera ha una narrazione precisa, una storia che ogni spettatore può ricreare dentro di sè, cullandosi nella dolcezza delle immagini e dei suoni, cercando il desiderio.

E’ una poesia fatta di linee nuove che non sono quelle della scrittura.
Sono linee che, contemporaneamente, descrivono e creano il movimento interno degli amanti. E’ un’immagine che si muove, racconta come uno spettacolo che dura un attimo la storia di tutti gli amori del mondo.

E’ un’arte nuova, universale, geniale.

E’ arrivato il momento di liberare l’uomo dalla schiavitù dell’arte concettuale, comprensibile solo a pochi con la razionalità, quell’arte che è significato ma non è senso.
Quest’opera, invece, è senso.
Senso profondo.
Possiamo liberare noi stessi con quest’opera, che fa muovere la mente e che può essere compresa e vissuta nel suo senso profondo soltanto con fantasia e amore.”

(Aurelio Bonifazi 2020)

“Baci Sospesi”
è un progetto di Barbara Sbrocca
più informazioni nelle pagine News e Baci Sospesi

Video by Stefano Manduzio
Foto by Daniele De Michele

WhatsApp Image 2020-08-29 at 19.23.37

Himbarossa

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In a nutshell – In breve

 

Former copywriter and creative director in advertising, Barbara Sbrocca began creating sculpture-paintings in 2001.

Sbrocca explores the world of non-conscious images, leaving a wide space to improvisation. This path often brings Sbrocca to the creation of works related to music.
Hers, three cover pictures for pianist composer Enrico Pieranunzi (Perugia suite, Trasnoche, Les Amants); her paintings are also shown on two albums by pianist and composer Stefania Tallini (Dreams, Maresìa).

Since March 2017, three works emerged from the mesmerizing music of Stefano Calderano (“A un passo mi sfiori,” “Mare inverso” and “Calderan Blu“).

from January 2018 until March 2019 Sbrocca joined “Ipazia – Immaginepensiero” onlus.

read more

From 18 to 28 May 2002, at the Arte IN Association in Rome, she exhibites together with Enzo Gravante, Coralba Libra, and Patrizia Ricchiuti, with the patronage of the Academy of Fine Arts in Rome, in a group exhibition named (for her part) “Le Linee di dentro (The lines of whithin)”.

From 21 to 28 September 2002 she exhibites with a solo named “Dimmi, senza parlare” in Rome at the Association Il pane e le Rose Art Space.

From 8th to 22nd March 2003 she exhibites together with Pier Paolo Parogni and Mario Antonio Pelosi, in Rome, at the GARD art gallery in the exhibition “Il segno e il Volume (The sign and the volume)”.

In 2007 she publishes with D’Arco Edizioni a book entitled “Umano come me (Human like me)”, an anthology of works and poems, accompanied by an exclusive CD by Stefania Tallini (piano) and Gabriele Mirabassi (clarinet).

The album, entitled “Pasodoble”, becomes the leitmotif of the show-event held at the Teatro Eliseo in Rome from December 9, 2007 to January 4, 2008. A video here.
At the inauguration on December 9, pianist and composer Stefania Tallini , in quartet with Gabriele Mirabassi, Nicola Angelucci and Gianluca Renzi, play exclusively for the artist the music from PASODOBLE.

On December 16th, composer Arturo Tallini and singer Marilena Paradisi present, within Sbrocca’s exhibition and exclusively for the artist, their concert-project “Intuendo. Trasformazioni per voce e chitarra. (Sensing, transformations for Voice and Guitar.”

From 2007 to 2012, Sbrocca works with Master Printer Antonio Sannino (Stamperia Nazionale Italiana Istituto centrale per la Grafica) and among other things she produces two limited editions prints of “Light” and “Pasodoble” in etching.
For more information on Master Sannino (R.I.P.) see this number of Sofa on page 69.

In 2007, director and writer Massimo D’orzi makes a short docu-film titled “Improvvisando. Suono-segno-attesa-materia (Improvising” sound-sign-waiting-matter) ” about the (apparently solitary but actually choral) genesis of Sbrocca’s work.

From January 29 to February 3, 2008 she participates in the collective “Art and Eros” at the III Millennium Art Gallery in Venice.

From 12 to 20 December 2009, on the invitation of Count Alessandro-Ferruccio Marcucci Pinoli of Valfesina, Nani for friends, Sbrocca exhibits with a solo titled “CLOSER, intimità di un’immagine (CLOSER, intimacy of an image)” at Alexander Museum Palace Hotel in Pesaro. At the inauguration, pianist and composer Stefania Tallini exclusively holds for the artist a solo piano concert.

In the issue # 50 of “Inside Art” monthly Art magazine, in January 2009, in the section entitled “Word of the Artist” an article by Barbara Sbrocca is titled “Nudo d’autore” from page 86.

On issue # 7 of February 2009 of the quarterly Sofa, a long interview with the artist signed by Maurizio Zuccari.

From October 2 to 9, 2010 she shows in the group exhibition “30×30 = 900 / Works by MostrArti” at MostrArti, curated by NWart and Antonella Campilongo.

From 8th to 11th April 2011 she participates in the collective “Women in the Arts” organized in Rome from the first Home Art Gallery “Artrom Network” (special guest Philippe Daverio).

Since 2013 she has a brand – Himbarossa – with which she signs jewelery in silver, murano glass beads (made by herself) and ebony.

In September 2016, at the invitation of the Soqquadro art association, she participates in the collective “Legàmi (Bonds)” at the International Women’s House, included in the AMACI Contemporary Day, an exhibition conceived for blind and visually impaired artists (and visitors). For the occasion, Sbrocca creates a work, titled “In ogni momento (At All Times)”, which also includes a braille sentence, drawn from a poem by the Psychiatrist Massimo Fagioli.
A picture here.

Between March and May 2017, she works on Monica Palladino‘s first book, named “Ondeia. Racconti d’acqua e di pesca: le voci della Costa Viola“. Sbrocca took care of the title, the concept, the complete layout,  and all the drawings.

In December 2017 Sbrocca showed her new collection of paintings in a solo show, entititled “..A” (point point A), which was held in Rome at the Casa della Cultura Villa De Sanctis (via Casilina 665).

In September 2018 Sbrocca took part in Per Appiam 2018, organized in Rome by Ipazia ImmaginePensiero Onlus, with her composition dedicated to Luigi Pirandello’s “I giganti della montagna”. Her 2 paintings are “Dentro la notte che sogna” and “Il Mago”.

In February 2019 Sbrocca participated at “INSIEME” a special exhibition organized by Ipazia ImmaginePensiero Onlus to celebrate 5 years of collaboration with Arvalia.  Every painter was asked to work on paper (handmade paper): 4 sheets of 20×20 cm paper. Sbrocca participated with “3D Tango (slice of life)”.

Since 2002 she also creates interior design works: murals, doors, furniture (including cabinets, benches, dressers, lamps, etc.).

SIDENOTE: this curriculum only refers to Sbrocca’s artistic carreer. For more Info about her activities, please visit her linkedin profile. 

NOTE: all works (sculpture-paintings, jewelery, furniture, etc.) are unique pieces except for the soft cut prints on paper, which are all limited editions (max 10 prints per subject).

They said

(some of the reviews)

 

Antonella Renzitti
Art historian
Istituto centrale per la Grafica, Roma

Barbara Sbrocca finds a field of action that allows her to experiment and come up with very personal language solutions … With full-bodied expertly deployed signs, she combines synthesis and eloquence, harmony and contrast … through a research free  from academic constraints, Sbrocca arrives at that which is the purpose of art: to narrate moods, to communicate suggestions, atmospheres, sounds.

(Original text)
Barbara Sbrocca individua un campo d’azione che le permette di sperimentare e di inventare soluzioni linguistiche molto personali …
Con segni corposi sapientemente distribuiti, riesce a coniugare sintesi ed eloquenza, armonia e contrasto … attraverso una ricerca libera da condizionamenti accademici, Sbrocca giunge a quella che è la finalità dell’arte: narrare stati d’animo, comunicare suggestioni, atmosfere, suoni.

Vincenzo Martorella
Professor of history of music
Conservatorio B. Marcello, Venezia.

The image, the design, the shape, the sign suddenly erupt, as suggested or precipitated by listening … in the works of the painter you fall into a music-like beauty, in an exclusive semantic contradiction. A new world … Barbara Sbrocca finds a singular originality of expression, something other, which has no comparison either for techniques used or for the results, said in this wonderful language possible.

(Original Text)
L’immagine, il disegno, la forma, il segno erompono all’improvviso, come suggerite o precipitate dall’ascolto … nelle opere della pittrice si cade in una bellezza tutta musicale, in un esclusivo controsenso semantico.
Un nuovo mondo … Barbara Sbrocca trova un’originalità espressiva singolare, altra, che non ha raffronti né per tecniche utilizzate, né per gli esiti, detti in questa meravigliosa lingua eventuale.

Massimo D’orzi
Director and Writer

I find myself crossing an unfamiliar landscape that I think to travel one way, in one direction, along the coordinates, while I’m immediately upside down, forced to change my gaze, perspective … distance. For Barbara this challenge is the human imagination that now stretches horizontally and vertically, oblique, bends, shows unexpected matters, lines that escape a rational classification.

(Original text)
Mi trovo come ad attraversare un paesaggio sconosciuto che penso di percorrere in un modo, in una direzione, lungo delle coordinate, mentre mi trovo immediatamente capovolto, costretto a cambiare sguardo, punto di vista… distanza.
Per Barbara questo luogo di sfida è la fantasia umana che adesso si distende in orizzontale e verticale, obliqua, si curva, mostra materie inattese, linee che sfuggono ad una classificazione razionale.